Parastone Museum Self-Portrait with Fried Bacon Surrealism Statue by Salvador Dali
$88.84
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Parastone Museum Self-Portrait with Fried Bacon Surrealism Statue by Salvador Dali
$88.84
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Sold by Selectfurniturestore, an authorized reseller.
Returns accepted within 30 days | support@selectfurniturestore.com
Shipping Information
- Free Standard Shipping — United States only
- Processing Time: 3–5 business days
- Estimated Delivery: 6–10 business days after dispatch
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Returns accepted within 30 days of delivery.
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Safety & Compliance
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California Proposition 65 Warning
Some products sold on this website may expose you to chemicals known to the State of California to cause cancer, birth defects, or other reproductive harm, including wood dust, formaldehyde, and certain lacquers or finishes.
www.P65Warnings.ca.gov
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Assembly & Weight Safety
Always follow the included assembly instructions. Ensure all bolts and fittings are fully tightened before use. Do not exceed the stated maximum weight capacity.
Keep children away during assembly. Inspect hardware periodically and re-tighten as needed.
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Material & Finish Notice
Wood tones and fabric colors may vary slightly from images due to natural material variation and screen calibration. Surface finishes may require periodic maintenance to preserve appearance and longevity.
Description
The Self Portrait With Fried Bacon Statue By Salvador Dali Is A Statue Adaptation From His Famous Painting Of The Same Name. It Is Part Of The Parastone Mouseion 3D Collection. Dali Himself -- Modern Art Surrealist Master Painter -- Styles His Self-Portrait As An Anti-Psychological Self-Portrait, Instead Of Painting The Soul, Or The Inner Of One-Self, To Paint Solely The Appearance, The Cover, My SoulS Glove. This Glove Of My Soul Can Be Eaten And Is Even A Little Sharp, Like High-Bred Game; Therefor Ants Appear Together With The Fried Bacon. As The Most Generous Of All Painters I Continuously Offer Myself As Food And Thus Give Our Era The Most Delicious Delicacies. Dali Painted This Self-Portrait During His Eight-Year-Exile In The United States, Where He Had Fled From The Spanish Civil War. The, Sometimes, Childlike Enthusiasm And The Drive Of The American Society Appealed To Dali And He Had A Most Productive Period There. Under This Influence He Appeared To Reverse His Paranoid-Critical Method. Now He Painted More From The Inside Out, As His Comment On His Self-Portrait Indicates.
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